Disclaimer: This text is a translation. The original can be found here.

Last week, before the opening of the Olympics, one of the most popular topics on social media was about Jeff Bezos going to space right after Richard Branson did. The triad of entrepreneurs Bezos-Branson-Musk has been defining this new space race known among specialists as New Space — i.e., the incorporation of private sector investment in the space industry. …

Disclaimer: This essay is a translation of a text originally published on Tab UOL.

Warning: Spoilers ahead!

Released right at the beginning of the Covid-19 pandemic, in March 2020, Devs series didn’t get so popular to the point of reaching audiences beyond science fiction aficionados, which may have watched or heard about more famous titles like The Handmaid’s Tale or Black Mirror. Available on Hulu, the series was directed by Alex Garland, who was also director of the movies Ex Machina and Annihilation.

Devs was his first attempt to create something for TV, but many of his authorial signatures are…

Disclaimer: This essay was originally published in Portuguese on Tab UOL.

For the past months I have been dedicated to reading more about the science fiction subgenre Solarpunk. Here in Brazil, back in 2013, we already had the publication of one of the first anthologies of the genre, “Solarpunk — Histórias ecológicas e fantásticas em um mundo sustentável” (Solarpunk — Ecological and fantastic stories of a sustainable world, anthology also available in English by World Weaver Press). This summarizes much about what the subgenre proposes: histories of a future more ecological, sustainable and optimist.

The suffix “punk” added to subgenres…

Disclaimer: This is a translation of a text originally published in Portuguese at TAB UOL.

For the past four years, I have been writing my PhD thesis that I finally defended two weeks ago. It is always hard to explain what the theme is, but, briefly, it’s a historical panorama of how western societies, mainly European and Judeo-Christian, have been processing the fact and the idea of death in the creation of images (and rituals) that seek to extend human life through materialized images that carry the memory of the deceased. …

Disclaimer: This article was originally published in Portuguese at TAB UOL.

In a moment when Brazil reaches the sad statistics of 300,000 deaths for Covid-19, grief is extended beyond actual loss to include psychological, economic, and social side-effects related to the pandemic. Either due to social distancing, a job lost or the failure of businesses, as well as the inability to celebrate important dates, unfortunately no one is going to get out intact out of this.

But as memes say, it is pretty much different when you are studying history rather than living it.

According to Elizabeth Kubler-Ross stages of…

To celebrate World Futures Day on March 1st, we at Envisioning hosted a series of talks, workshops, and round tables around the themes of innovation and futures thinking.

One of the round tables that we hosted was “Decolonizing Futures”, a space to talk about science fiction subgenres that are decolonizing mainstream futures. After all, the future is much more than the Jetsons could make of it, so we invited the panelists Alexander Meireles da Silva, Bodhisattva Chattopadhyay, Lauren Klein, Monika Bielskyte, and Sarena Ulibarri to join us for a chat documented in the video featured below.

During this 1h30…

Until 2016, the Greenwood Cemetery in Waco, Texas, kept a fence separating where white and black people were buried. Photo by Rod Aydelotte

Disclaimer: This essay was originally published at TAB UOL, in Portuguese.

How pervasive is racism, sexism, and colonialism? According to The Collective for Radical Death Studies, even death can be affected by these issues. In this collective composed by death care professionals, death practitioners, students and scholars of Death Studies, death is approached from a political perspective, so that these professionals can remove the remnants of racism, oppression, and colonialism from both Death Studies as a field of science but also in funerary practices.

At a first sight, some may think this is an exaggerated focus for a discussion, but…

Disclaimer: This essay was originally published on TAB UOL, in Portuguese.

Warning: This text contains spoilers from WandaVision and Avengers: End Game.

Released on January 15th, the series WandaVision takes place right after Avengers: End Game, the latest Avenger film that became famous not just for its high concentration of Marvel characters but because many people died — more exactly half of the universe. Wanda Maximoff or Scarlet Witch, however, wasn’t obliterated by the “blip” triggered by Thanos. But her brother Pietro (Quicksilver) and boyfriend Vision weren’t as lucky.

Avengers: End Game was already dark enough because fans were forced…

Disclaimer: This text was originally published in TAB UOL, in Portuguese.

The 20th century was marked by a turning point in the way we, human beings, relate to technology. Since the First Industrial Revolution until the advent of personal computers and the internet, we have watched almost one hundred years of technological revolutions that culminated into the creation of color TV, the atom bomb, the modernist vanguards and postmodernism. We have seen Marinetti writing about speed and the man-machine, as well as we have seen DuChamp taking an urinal to the museum and Jimi Hendrix burning his electric guitar on…

Disclaimer: This is the translated version of the article available here.

Published in 2010, Gore Capitalism was written by the Mexican transfeminist philosopher Sayak Valencia. Transfeminism, in the sense adopted by Valencia, means a transversal, intersectional feminism that embraces all currents of feminism and not only, but also those that deal with transexuality.

Holding a PhD from University of Madrid, Valencia became known for making a critical analysis of capitalism in a combination of feminism and pop culture while using the term “gore” from horror movies where human limbs and gut explode on the screen.

Valencia’s argument, in this sense…

Lidia Zuin

Brazilian journalist, MA in Semiotics and PhD candidate in Visual Arts. Head of innovation and futurism at UP Lab. Cyberpunk enthusiast and researcher.

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